Belle Maison Interior Design

A Historic Home for a Historic Client



Zuber Paper



Fifteen years ago I designed a home in Maplewood for a charming couple in the process of becoming surgeons. Out of the blue they showed up at the shop a month ago, having tracked me down to our current studio in Short Hills. I was out at the time and, since the only well-dressed visitors we tend to get without appointments are salespeople, my husband asked which firm they represented. To his embarrassment they explained that they were both surgeons who had traveled from their home in Galveston Texas to a medical conference in Rutgers, and hoped to see me. They had enjoyed our project in Maplewood fifteen years ago, and hoped to talk to me about helping them in their 110-year-old historic home in Galveston.

Fast-forward to this week, and I’ve just returned from a trip to Galveston, energized by the project we’re embarking on. The home is captivating, built by one of Galveston’s leading families, when the city was one of the busiest ports in the country. I’m busy researching Galveston’s rich historical and cultural history.

The style of the home is eclectic, with elements of Mission and Art Deco. Zuber hand painted panels were commissioned specially for the dining room, there are glittering French crystal chandeliers, massive arched sliding doors, and stained glass panels are featured in several rooms. The house has tremendous character, full of fascinating detail, with a wonderful floor plan. My clients have eclectic tastes, including an impressive collection of 1940s American abstract art. The result will be anything but conventional.

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Stone Barn Fusion








One day I’m going to buy an old barn and convert it into a beautiful country home. Irish architects McGarry-Moon have done just that, preserving part of the original stone structure while using modern architectural techniques to create a fascinating hybrid of old and new. They inserted a stainless steel frame within the stone walls, keeping the old door and window openings on the lower level and adding contemporary fittings above. The result is a totally unified structure fusing traditional and contemporary style. The bedroom is cantilevered off the stone base to provide more floor space and allow for floor to ceiling glass, offering the homeowners panoramic views of the surrounding countryside.

This outstanding stone barn renovation has given me plenty of inspiration. I’d better start looking for the right old barn!

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Where Do Those Accessories Come From?


Accessories are the final piece of the puzzle. Without the right accents, the scheme just isn’t finished. I find accessories in many places, from antique stores to decorative suppliers I’ve worked with for many years. This past weekend my cousin, who is a leading props master for New York TV and film production companies, introduced me to another source—John Derian, on the lower east side of Manhattan. Strolling through the shop you’ll find really awesome pieces–decoupage plates and platters, as well as linen, lighting, and all manner of high-end bric-a-brac, plus Mr Derian’s own line of furniture.

Finding the perfect accessory is half serendipity, half intuition, and all fun. Especially when it takes me to cool shops like this one.

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The Art Underfoot

MaschBRThe tight weave of this elegant hand spun needlepoint is based on an Aubusson design. The dominant red floral border frames a more subdued, blue floral pattern, much as the rug itself frames the furniture resting on top. It is the quintessential foundation of a French Traditional interior.



The dimensions of a long, narrow living room required a custom rug that took six months to complete. It was well worth it. The intricate, finely detailed pattern, with sparkling jewel colors, is from an antique Sarouk design, woven in Pakistan.


Lake GLRSometimes it is the texture that dominates. This plush Moroccan features a geometric pattern, which fits the scheme, but it is the layered weave of the carpet that speaks to the warm, rustic Adirondack style.



A modern Oriental design uses wool from New Zealand, hand spun in India. It works well in a contemporary setting, the symmetrically abstract design and earth tones softening the ceramic stone floor below.



The vegetable dyed wool rug covering most of a master bedroom on Central Park adds a strong dose of coziness, the soft striated blue color overlaid with branches of golden flowers, mirroring the branches on the trees outside.


Think of your floor as a canvass. Just as you prepare a canvass, so your floor is prepared by covering it with polished wood or wall-to-wall carpeting or stone. Now the area rugs—the artwork under your feet—are placed on top. They may be composed of intricate floral, geometric or abstract patterns, in solid or multi-hued colors. They can be made of hand knotted or hand woven wool or synthetics. They can be plush or stitched in thin needlework. They can cover virtually an entire room or small seating area, a staircase or long corridor.

At their best area rugs qualify as artwork that happens to be on the floor. The mood they create can set the tone for a space, providing an evocative platform that drives the design. Some area rugs are so decorative they can easily hang on a wall, as I have done on occasion, but how much nicer to feel the texture and suppleness beneath your feet.

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In the Footsteps of Grandma Moses




I was introduced to the work of Will Moses at the Country Living Fair in Rhinebeck last weekend. His folk art paintings are a family tradition going back to his great grandmother—the iconic Grandma Moses. His work conveys the authenticity that is a hallmark of all great American folk art, a simple beauty that is charming, wistful and, in our post millennial world, refreshingly uncomplicated. His compositions are filled with the everyday activities of everyday people. Yet they seem rooted in their lives in a way that we can only dream about today. For more of Will’s work, click here.

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Soon to Be One of Their Favorite Rooms

Westlake Lower Level Before

When my clients asked me about finishing their lower level, I immediately saw a space that will become one of their favorite rooms—and one of their best investments. So, how do we proceed?

First, I need to know how it will be used. Entertainment center, bar, kitchen area, upgraded laundry room, game room, workshop, wine cellar—all are possible. If you want your children to be at home, nothing is a bigger draw than a well-accoutered family room. If you want the younger ones out of your hair, they will gratefully retreat downstairs, giving you quiet and peace of mind.

With all lower levels, the elephant in the room is water, as in the possibility of damage. Is it totally under control? Even in a well-protected basement, dampness can be an issue, which for me rules out wood floors. This is no hardship, with stone, ceramic, vinyl flooring or carpeting available. With natural light scarce or non-existent, extra effort goes into creating a lighting design that is at once bright and easy on the eyes. Walls can be sheet rocked or, if they’re brick, left exposed, and ceilings, when they’re as high as in the photo above, can be sheet rocked as well. Large exposed ducts can be painted for a more industrial feel.

The blank sheet of paper aspect of redoing a lower level is both a challenge and opportunity. It can fulfill a wide array of needs, but requires an intelligent, balanced floor plan to make the variety of uses cohere. I like working on these projects because they present an interesting interior design puzzle to be solved.

This room will be transformed from rough and ready workshop/storage area, to the most comfortable, versatile and enjoyable room in the house. More to come…

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If You Can’t Make it to Barcelona This Summer…

this short video is the next best thing.

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Stress Free Zone


Just finished the redo of my clients’ charmingly rustic lake house, only an hour from their suburban home. The goal was to create a comfortable, attractive and durable design, in tune with the woodsy, laid back location. The dreary wall-to-wall carpeting in this downstairs family room was replaced by vinyl flooring that looks remarkably like wood planking, but is completely maintenance free. Track lighting highlights the art and accessories, the beaded board walls, and the stone fireplace with wood stove. Light, earth toned sofas and chairs encourage a spacious, airy feel, while the leather ottoman accommodates either your feet or your lunch tray. The geometrically patterned rug has a sisal feel, but is made of hard wearing polypropylene, virtually impervious to water damage.

It may be only a short drive away, but their weekend retreat takes my clients far away from the suburban scene, to a stress free zone that’s both easy to look at and take care of.

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A Tub to Dive Into


Here I am checking out a tub for a clients’ master bath. Just like a sofa, bed or chair, a tub has to be comfortable. You want to be able to recline without sliding into the tub, and you want to be able to put your arms comfortably on the side. This tub is very comfortable, and very deep. Plus, you can order it with both water jets and air bubbles. I also like the fact that it can be used in a traditional or contemporary scheme. There are shower people and there are bath people. Bath people like to luxuriate. This tub was built for them.


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Variations on a Cheesecake Theme




After work last Friday I spent a few salubrious hours producing two cheesecakes, one as a gift for a good friend and the other for a family gathering. Here’s the recipe:

I start with 8-10 butter cookies, use a food processor to grind them into a powder, then add a couple of spoons of melted butter to create the base of the cake. Next I put 4 packages of cream cheese in a blender (I refuse to use non-fat cream cheese!) plus one cup of sugar. You can use white or brown sugar; the brown sugar makes the cake darker. Then add 4 eggs, one at a time. You want this to blend really well, at least 2 minutes.

Press the base into a cheesecake dish, then pour the cream cheese mixture on top. I melt 60% dark chocolate to create the swirl pattern on top with a knife. Bake in a 350-degree oven for one hour. Turn off the oven and leave it for another hour, to prevent cracking. Remove and refrigerate for at least a few hours. Serve chilled, for taste and consistency.

It’s too boring to make two cakes exactly the same, so for the second I melted 5 ounces of apricot jam in the microwave, then added 1.5-2 cups of blueberries to the jam, tossing delicately and spreading on the top and sides of the cake.

I dropped off the first cake at 9am to my friends in South Orange. They are Michelin star quality hosts, so the addition of another dessert on their menu did not go amiss. A few hours later we drove up to Putnam County to put the other cake on a dessert table at the family BBQ.

My husband cannot understand how I could possibly come home after a dinner out on Friday night and spent a few hours baking. For me, it was far more relaxing than a couple of hours staring at the tube. Probably better for me, too, so long as I don’t consume the product.

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